I had my first look at the new Panasonic HC-X1000 camcorder over the last few days. It’s a fantastic little machine. This might be the most exciting Panasonic camcorder in several years. The camera is very small and light yet still gives you all of the hard button control you would want in a true broadcast hand-held camcorder. There are 3 separate rings on the lens for zoom, focus, and iris control, hard buttons for gain, shutter speed, white balance, and true glass neutral density filters.
The huge feature of the camcorder is the ability to record 4K resolution mpeg4 video in camera to SD memory cards. The camera uses a 1/2” CMOS sensor to make this possible. It features a 20x zoom lens. Notably the camera can also record mpeg4 1080p images up to 60fps in an I-Frame format. I-Frame recording retains better motion detail in your images and also is easier for computers to work with because they don’t have to decode the GOP structure simultaneously.
I was really impressed. The camera offers the most innovative hands-on experience from any Panasonic broadcast camera in years. Having the 4 blank, user assignable buttons right there in a row on the side also was very handy. Although some old-school pros might scoff at the touch screen at first i felt that the way Panasonic has implemented it was great. Nothing really requires the touch screen control but the touch screen can be used to accomplish certain tasks much faster then the buttons can. I liked the touch screen auto-focus. I also thought using the touch screen for “bonus” user buttons was very smart, even creative. Overall i really liked it. I haven’t been able to do any image quality tests yet. But comparing to comparable cameras like the Canon XF200 or Sony Z100 should happen soon.
This little beauty weighs in at only 3.4lbs. It is currently selling for $3,498. Do you want to check it out? Arrange a demonstration time. Rent it and have 100% of your rental go towards a potential purchase. Post by Eric C. Petrie
Okay, that’s it. You’ve had enough of highly compressed video codecs that crap out on detailed shots and make decent color grading a pipe dream. Now that Blackmagic’s $995 Pocket Cinema Camera (BMPCC) is RAW-ready, isn’t it time to make the jump to higher bitrate video? Perhaps. The company’s latest pint-sized weapon does produce magnificent images using a downsized version of its first Cinema Camera sensor, yes. But it’s not quite as simple as laying down the money and raking in the 12-bit video. There are limitations to the camera itself, plus a steep learning curve and the likely need for further investment that could more than double the price of the camera. As you’ll see, whether it’s worth that depends completely on your needs and, particularly, your expectations. Keep reading the article here.
How do you think a $5,000 Canon C100 stacks up against a $50,000 Arri Alexa? Lets find out. Shane Hurlbut was the D.P. on “Need for Speed”. Before they began shooting the film he performed extensive testing on the Arri Alexa compared to the Canon C500. He did exhaustive testing on technical elements as well as aesthetic elements. Clear your calendar and prepare for a long and detailed read. A big point that i want to stress is that the sensor in the C500 is the exact same sensor that is in the C300 and C100. If you are recording 1080p onto an external ProRes recorder the results from all 3 cameras will be identical. For those who think the C100 is just a glorified DSLR please read this review and consider that the C100 is actually a stripped down C500. Read the full article here.
Zeiss has started shipping their highly anticipated 28-80mm T/2.9 cinema zoom lens. This lens joins their family of Compact Zooms which also contains the 70-200 CZ.2 and their newly announced 15-30 CZ.2. The Compact Zoom lens family is similar to the Compact Primes in that these zooms cover the large full frame sensors that are found on cameras like the Canon 5D Mark III, 1D C, and also the large sensor area of the Red Epic Dragon at 6K; they also have interchangeable lens mount systems (PL, EF, F, MFT, E) as well. These features make the lenses unique in the zoom world and future-proof as well. Professional Video has all of the best choices for your cinema lens needs including Zeiss, Canon, and Schneider. Watch a video review of the Zeiss zooms here.
Metabones has become the hottest name is lens mount adapters. Their two hottest items are their standard Canon EF to Sony E mount adapter and the Speed Boost version. The standard adapter sells for $399 and is easily the best option for using Canon EF lenses on an FS700. The Speed Boost version sells for $599 and offers some bennifits that sound like magic. I’ve been trying to wrap my head around how the Speed Boost works and what the tradeoffs might be. I cam across this article that is the best I’ve seen at illustrating the pros and cons of the Speed Boost. Read the article and when you’re ready to buy your Metabones adapters purchase from Professional Video. Post by Eric C. Petrie