Sony Updates F5 with Lower Price Bundles

Hello, This isn’t breaking new news as these packages prices have been running since about May but I thought it was worth re-posting as it seems many people to have not heard of this. There are a couple of great bundles on Sony F5 running right now.

For $12,995 you get
Sony F5 camera w/ 4K firmware all updated
Sony LCD Viewfinder
Sony VCT baseplate/shoulder pad
Sony SxS card reader
Davinci Resolve 12 full copy
OR for $13,995 you swap out the Sony LCD viewfinder for the extremely nice OLED viewfinder.
We’ve had a version of these kits running since last fall but previously it included a Sony a7SII camera body, a $3,000 value, but the price of those kits was $16K and $17K respectively. In May they removed the a7SII body from the kit and simply added $3,000 of additional savings instead, bringing the prices to the current $13K and $14K respectively.

Additionally, we’re offering 0% $0 down financing for 24 months on all Sony F5 and F55 kits. The F5 kit w/ the LCD viewfinder would come to $542 a month over 24 months. Or you can chose 36 month financing at about 6.5% interest, which is about $389 a month over 36 months.

Depending on what you are looking for in a camera and how you are intending to use it there are several possible advantages when compared to the Fs7. Now that the price difference between the Fs7 and F5 is significantly less some may consider spending the extra money to move to the F5.

Apply for Sony Financing here, shop the F5 bundles here

Sony F5 OLED Bundle

Info on C-Log3 Updated on Canon Digital Learning Center, Sample Video

Canon’s Digital Learning Center is a good resource to bookmark if you own or have interest in Canon products of any kind. Canon has updated it to include information on the latest firmware update for the C300mkII, including info on C-Log3. There are screen shots of some of the changes that have been made to the cameras systems. Take a look here.

C300mkII Menu Update

 

 

 

 

 

 

 

 

 

 

You can also watch a Canon-made C-Log3 sample video here.

As always let me know if you have any questions. I’m here to be a resource in any way that I can.

Eric Petrie
provideoandtape.com
epetrie@provideoandtape.com
Finance the Canon C300mkII for $344 a month, 36 months
Finance the Sony Fs7 for $240 a month, 36 months
Apply Now

Sony Expands 4K Non-Cinema Camera Line- Focus on ENG, Camcorders, Studio

For the most part 4K acquisition has been relegated towards cinematic style production. The majority of professional 4K cameras on the market are “cinema” cameras that utilize interchangeable lenses and have Super35mm (or similar) sized sensors. There has been very little traction in implementing 4K in traditional television production with classic acquisition tools like studio cameras, ENG-style cameras, or hand-held integrated lens camcorders. Sony is aiming to start the shift towards 4K in all forms of video production.

Before NAB Sony already had several good options including the X70, the Z150, and the Z100. All include an integrated powered zoom lens. All of these camcorders have a single sensor image system. The X70 & Z150 use a 1″ sensor and the Z100, the oldest of the group, a 1/2″ sensor. At NAB this year Sony is debuting several new cameras including the new PXW-Z450. The Z450 is based off of the same body as the PXW-X400. This gives users the first Sony traditional ENG shoulder mount form factor camera that offers 4K acquisition. Sony has intentionally stuck with a 2/3″ sensor design for the Z450 so that it will be fully compatible with all of the existing 2/3″ B4 broadcast ENG servo powered zoom lenses that are already in the field. Interestingly it appears that the Z450 uses a single 2/3″ sensor. Additionally, there is an upgrade kit for owners of the 1080p X400 camera. If you currently have an X400, or buy an X400 in the future, and decide you need 4K, you can send your camera to Sony and the camera will be converted to a Z450 for a fee.

Finally, in the studio space, Sony is introducing the HDC4800 studio camera. This is very interesting as this will have a newly designed single Super35mm 4K sensor. The sensor can generate up to 480fps in 4K. Yes, thats 8x slow motion in 4K. This is incredible. The camera has a native PL lens mount meaning that you will need some of the hig-end cine servo glass, like a Fujinon Cabrio, to use the camera in 4K. The HDC4800 has another trick up its sleeve. In the promo video for the camera Sony shows it’s PL lens mount being adapted to a B4 2/3″ mount. When the camera is in 1080p mode it can utilize a 2/3″ crop of the sensor, thus allowing it to be fully compatible with stadium or large studio style box lenses. Also, when in 1080p the maximum frame rate jumps to 16x normal, or 960fps for 60p countries. Imagine a sports game where a couple of these cameras are mounted onto large box lenses with 40x zoom magnifications as your primary cameras and the 4K super slow-mo camera is on the sidelines for close-ups using a 4.5x Fujinon Cabrio 19-90. The HDC4800 is also designed to integrate well with the 4K studio camera Sony introduced last NAB, the HDC4300. The HDC4300 uses 3x 2/3″ 4K image sensors and has a maximum frame rate of 60p in 4K or 480p in 1080p. Both cameras have matched colorimetry for ideal compatibility.

Sony Announces Firmware Updates for Fs5, RAW Coming Soon

The Sony Fs5 has received a new free firmware 2.0 update. One of the key features is an auto Neutral Density filter function changes the strength of the electronically controlled variable N.D. filter. This is an excellent use of Sony’s amazing new electronic N.D. By adjusting the N.D. the user is allowed to adjust exposure without affecting aperture, shutter speed, or gain values. This translates to all elements of the image such as depth of field, motion blur, and noise, being unchanged while simultaneously adjusting exposure values of the image. Other additions include expanded zebra functions as well as GPS capability.

Ever since the camera was announced Sony has alluded to the coming capability of RAW recording. For those who wish to record RAW with the FS5 you must acquire the newly announced RAW upgrade option for 600 dollars, model number CBKZ-FS5RIF. This then allows, though the 3G-SDI connector, continuous output of DCI 4K 60p and up to 240p RAW in 1080p. If you have right recorder you can then record 12-bit RAW video or you can also choose to convert this to Apple ProRes for recording. This workflow has proved popular with FS7 users who pair the camera with the Convergent Design Odyssey 7Q+. Unlike the FS7 however, the FS5 has an extra trick. It can also record DCI 4K at up to 120 fps for up to 4 second bursts. It does this by using the internal cache recording function of the camera. The images are buffered in camera and then played out of the 3G-SDI port at a regular frame rate for recording, once image capture has finished. This system will be familiar to anyone who has the FS-Raw option on the FS700 which features the same ability. Both the free and the paid firmware updates will be available in June.

FS5 kit

Fujinon Announces Lower Priced Super35mm Cine Servo Motor Zoom 20-120mm T3.5 Cabrio Lens

Fuji has announced that they will introduce the Super35mm Fujinon Premier 20-120mm Cabrio XK powered servo motor zoom lens at NAB. The new lens features a constant T3.5 aperture throughout the entire zoom range and, like other Cabrio lenses, comes with a detachable servo drive unit similar to those seen on traditional ENG broadcast lenses. It also has a 200 degree focus rotation, 9 iris blades and a minimum focus distance of 1.1 m, 3′ 7″. The 20-120mm weighs in at 6.39lb. Fujinon are aiming the lens squarely at the growing number of owner/operators who are making the transition from ENG 2/3″ sensor based cameras to Super 35mm digital cinema cameras such as the Sony F5/55, Canon C300 Mark II, Panasonic Varicam LT and the ARRI Amira. With a lot of broadcast television series making the move to digital cinema cameras there has been a growing need for ENG style Super 35mm lenses that feel more familiar to operators making the transition and are quick to operate. LDS and /i Tech metadata compatibility are very useful when you need to record the position information of zoom, iris, and focus for computer animation and similar post production operations. The digital servo on this lens has 16-bit encoding, so operators can be assured that the lens data outputs are extremely accurate. The lens is set to start shipping in June of this year.

Cabrio 20-120

Panasonic VariCam LT Financing Options Now Available, 0% 90 Days No Payments

I’m excited to announce details on the Panasonic Financing options for the VariCam LT. This financing is through Panasonic’s own promotional financing program, ensuring that you’ll get very good rates. The financing options include:

12 months, 0% interest, 90 days payment deferred
With this program you will make 12 equal monthly payments but your first payment isn’t due for over 90 days. This is a great option to give yourself some time to put the camera to work before making that first payment.

24 months, 0% interest
24 equal monthly payments interest free.

36 months, 3.9% interest
Spread your payments out over 36 months to make that bill a little lower. 3.9% interest is still very competitive rate, even if its not as low as 0%.

Other details:
Any Panasonic brand item thats deemed an accessory to the camera can be bundled in at the same special low interest rate that the camera is on. If its Panasonic brand but not deemed an accessory, or if its another brand product you can still add it on to the financing but those items will be at the standard interest rate, averaging arpund 10% interest. This will not impact the VariCams promotional rate.

Some quick examples:
The body only, $16,500, over 24 months at 0% interest would be $687.50 per month.
The body only, $16,500, over 12 months (90 days payment free), at 0% interest would be $1,375 per month.
The body only, $16,500, over 36 months at 3.9% interest would be about $487 per month

I don’t have the Panasonic application up on my website yet but i will soon and will update this post as soon as it is. In the meantime, if you’re interested in applying, i can email you a .pdf of the application.

This is all very new and more details are coming every day. If you have any questions on VariCam packages, Panasonic Financing, or any video equipment please reach out and contact me. I’m still expecting my first batch of cameras sometime around the end of this month (March ’16) or the beginning of next (April ’16). I’m also taking $0 down pre-orders as well. Throw your name in the hat and be one of the first to receive this exciting new camera.

Panasonic VariCam

Incredible New Sony F5 Package Includes a7SII Camera, Viewfinder, and More.

We’ve partnered with Sony and unveiled one of the most aggressive and interesting packages on the F5 CineAlta camera, ever. The going price on the PMW-F5 camera body has always been $16,490…. until now! We’re excited to announced a promo called the “Production Crew” bundle.

The “Production Crew” bundle sells for $15,995, or can be financed for $0 down and 0% interest over 24 months for $667 a month. Included in this bundle is the F5 camera body with the internal 4K recording firmware. Also included is an NEW a7SII camera body, the LCD viewfinder for the F5, the shoulder pad/VCT tripod mount for the F5, an SxS card reader, and a full copy of Davinci Resolve 12.

We’re essentially providing the viewfinder, the shoulder pad, the a7SII camera, and the rest for $500 less then the camera body before. This all adds up to thousands of dollars of savings.

The price of $15,995 is surely no coincidence (hello C300mkII). If you prefer to upgrade the viewfinder to the amazing OLED viewfinder its only an additional $1000, making it $16,995.

This is truly the best time to be looking into a Sony 4K camera, specifically the F5. For more details on financing options please contact me. Let me know if you have any questions at all. Thank you very much.

Here’s a quick breakdown with a bit more detail.

The previous pricing of the individual components would have gone as follows:

PMW-F5 camera body $16,490
VCT-FSA5 ENG shoulder pad/VCT baseplate $975
DVF-L350 LCD viewfinder $3,230
CBK-Z55FX 4K recording ‘upgrade’ key $998
SBAC-US30 SxS USB reader $319
TOTAL: $22,012

NEW F5 ‘Production Crew’ package price: $15,995, ($6,017 less then above total)
Also includes an a7SII camera body and a full Davinci Resolve 12 copy worth, $2999 and $949 respectively. Combine the savings on the F5 package components, the a7SII, and Davinci and you’re looking at about $9,965 less then the same individual components would have run you prior to this package. If you add the OLED viewfinder the dollars saved actually increases as you’re only paying an extra $1,000 for the upgrade but the regular price of the OLED is $4,930, normally a $1,700 upgrade over the standard LCD.

With nearly $10,000 in total package savings the F5 is now positioned to be one of the greatest sub-$20K cinema cameras options on the market. You can finance the F5 over 24 months at 0% for only $667 or $479 over 36 months. Apply for Sony Financial Services here. Buy the F5 + a7SII combo bundle on-line now.

F5 Production Bundle.001

Updated Breakdown of Sony CineAlta Camera Financing Options

With the announcement of the new Sony PXW-FS5 we’ve touched up our breakdown of the monthly payments and interest rates on the most popular Sony cameras via Sony Financial Solutions. All of these Sony CineAlta cameras have a 0% interest option. Our most popular financing term length is 36 months. At 36 months you can get one of the new FS5 cameras for only $171 a month. The FS7 comes in at only $245 a month. And the F5 is $491 a month.

We’ve been working with Sony Financial Solutions for over 5 years now. The low interest financing is a great solution for any one who is thinking about jumping into a new camera but is on the fence about price points. Perhaps you’d love an FS5 but you can only spring for an a7SII budget. Or you’re debating between an FS5 and an FS7? With around $70 a month difference it becomes a lot easier to justify moving up. Even if you have $10,000 in cash in the bank, why spend that all on front on a camera body when you could do the 0% financing and spread that out over 12 months.

The application process is simple. It takes about 3 minutes to Sony On-Line Credit Application. By simply filling out the application you’re not agreeing to anything, it is completely commitment free. If you chose not to keep going with the financing process the application simply is canceled after 90 days. Apply now and we’ll have your results back in less then 48 hours. And of course, let us know if you have any questions at all. That’s what we’re here for.

NEX-FS700r Body Only $123/month at 6.2% 36mo
NEX-FS700rh 18-200 Lens Kit $141/month at 6.2% 36mo
PXW-FS5 Body Only $171/month at 6.2% 36mo
PXW-FS5K 18-105 Lens Kit $187/month at 6.2% 36mo
PXW-FS7 Body Only $245/month at 6.2% 36mo
PXW-FS7K 28-135 Lens Kit $321/month at 6.2% 36mo
PMW-F5 Body Only $491/month at 6.2% 36mo
PMW-F55 Body Only $864/month at 6.2% 36mo

NEX-FS700r Body Only $334/month at 0.0% 12mo
NEX-FS700rh 18-200 Lens Kit $384/month at 0.0% 12mo
PXW-FS5 Body Only $467/month at 0.0% 12mo
PXW-FS5K 18-105 Lens Kit $509/month at 0.0% 12mo
PXW-FS7 Body Only $667/month at 0.0% 12mo
PXW-FS7K 28-135 Lens Kit $875/month at 0.0% 12mo
PMW-F5 Body Only $688/month at 0.0% 24mo
PMW-F55 Body Only $1,208/month at 0.0% 24mo

CineAlta

The Northwest’s First Look at the Revolutionary C300 Mark II

On Wednesday July 15th and Thursday July 16th Professional Video and Canon will be bringing the Pacific Northwest an early look at the upcoming C300 Mark II. The event will be held at Base Camp Brewing Company in Portland on July 15th and will go from 2 to 7:30pm. For those in the Seattle area we will be showcasing the same gear at an event on the 16th at Koerner Camera Systems Seattle from 2pm to 7pm. If you are one of the many who want to get an early look at the C300mkII before its release this is an opportunity that you will not want to miss. With new features including 15 stops of dynamic range, internal 4k recording, and redesigned sensor the C300mkII is sure to be hot when it drops in September. Also at the event will be the new 4K XC10 and Canon’s full lineup of cinema cameras, cinema prime and zoom lenses, and professional camcorders for you to go hands-on with. Please contact us to register if you would like to attend, however, drop-ins are very welcome. Of course this is FREE, and there will be food and drink. You can pre-order the C300mkII NOW with our $0 down, no commitment on-line pre-order.

Wednesday July 15th at Base Camp Brewing Company from 2pm to 7pm
Base Camp Brewing Company 930 SE Oak St., Portland, OR 97214

Thursday July 16th at Koerner Camera Systems Seattle from 2pm to 7pm
Koerner Camera Systems 101 Nickerson Suite B 500 Seattle, WA 98109

C300mkII

Sony PMW-F5 Now Features Internal 4K Recording

Sony’s part number CBKZ-55FX is an optional license key that activates XAVC 4K/QFHD recording and playback, 4K SDI and 4K HDMI Playback Output as well as simultaneous recording of XAVC 4K/QFHD, and MPEG HD in the PMW-F5. The license key is $998. v5.0 firmware is required on the PMW-F5 prior to installing the license key. The CBKZ-55FZ is installed by the end user. The customer can place an order for CBKZ-55FX with their Sony Authorized Reseller and the Reseller will ship the envelope to their end user customer. The end user customer must follow the instructions provided in the envelope to download/install the license key.

You might be asking, with this upgrade what are the remaining key differences between the F5 and the F55? The F55 has some upgraded hardware and offers a much more advanced  image sensor and Color Filter Array, including the global shutter. Additionally, the F55 features live 4K signal output for live 4K production work, which the F5 will not.

As of this writing the F5 bodies currently sell for $16,490. Factoring in the internal 4K upgrade and this puts the camera body total at $17,488.

F5