Alex Buono’s Art of Visual Story Telling Returns to the Northwest

The Portland-area native Alex Buono is bringing his Visual Storytelling 2 Tour back. It will expand your filmmaking abilities by immersing you in an all-day learning experience about the principles of Visual Style and Subtext. From his fast-turn around schedule as the DP of the SNL Film Unit to his role as the Co-Director/DP of the new IFC comedy series Documentary Now!, Alex is constantly challenged to recreate different looks. In this workshop, Alex will share his approach to shooting distinct visual styles with hands-on demonstrations that utilize attendees as the crew. By understanding the visual patterns for different film genres and how to manifest each style through both lighting and camerawork, you will harness the power of visual cues for your own projects.

The AVS2 tour is coming through Seattle on August 1st and through Portland on August 4th. For full ticket and registration information visit the website now. We had the pleasure of sponsoring Alex’s tour 2 summers ago in both Seattle and Portland. It was an amazing all day experience that we were lucky to be a part of once. Our excitement is through the roof to be a part of it again. Along with key sponsor Canon, Professional Video is the primary local sponsor for both of the Northwest stops, in Seattle and Portland. Visit the site to learn more details and to see the full list of pricing options and reserve your seat take a look at the registration page now. Use our EXCLUSIVE promo code AVS2LD to save money.

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See the Entire Panasonic VariCam35 Introduction Presentation

I am the only Panasonic VariCam35 dealer in the Northwestern United States. I’m very excited that Panasonic is back attacking high end production needs. And they’re not just playing “me too”. They’ve brought a product that justifies the price tag.

Panasonic’s full presentations from the recent Digital Cinema Society’s “Meet the VariCam 35” event are now available on DCS’s web site.

Speakers at the event, held last month at Panavision World Headquarters in Los Angeles, included cinematographer and Digital Cinema Society president James Mathers, Doug Leighton of Panasonic, Michael Cioni of Light Iron, Sarah Priestnall of Codex Digital, and special guest Theo Van de Sande, ASC, who recently shot a pilot for Amazon with the VariCam 35 and gave his initial impressions of the camera.

The VariCam 35’s image handling in multiple formats ranging from pristine 4K RAW to more practical 4K, UHD, 2K, HD and ProRes capture formats make it a useful tool for high-end filmmaking, commercials and episodic production as well as live 4K events. The camera/recorder is equipped with a Super 35mm MOS image sensor and offers a choice of codecs — Panasonic’s AVC-ULTRA family and Apple ProRes 4:4:4:4 and ProRes HQ. It offers 14 stops of dynamic range and native ISOs of 800 and 5000, and other non-native ISOS that can be set in-camera.

The full presentation has been broken up into sections. View the all the sections here.

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Panasonic Starts Going in Depth With VariCam35: Dual Native ISO, Extreme Low Light

Recently Panasonic held an event at the Digital Cinema Society called “Meet the VariCam35”. Panasonic has posted a series of videos from this event. This particular video was brought to my attention by our friends at No Film School.com. In the video Michael Cioni explains the concept of “dual native ISO”, a feature of this newly developed sensor technology in the VariCam, and how it benefits the shooter in the form of extreme low light image quality and dynamic range. You can read the full No Film School article here. Check out the video series below.

Arri Alexa vs. Canon Cinema EOS

How do you think a $5,000 Canon C100 stacks up against a $50,000 Arri Alexa? Lets find out. Shane Hurlbut was the D.P. on “Need for Speed”. Before they began shooting the film he performed extensive testing on the Arri Alexa compared to the Canon C500. He did exhaustive testing on technical elements as well as aesthetic elements. Clear your calendar and prepare for a long and detailed read. A big point that i want to stress is that the sensor in the C500 is the exact same sensor that is in the C300 and C100. If you are recording 1080p onto an external ProRes recorder the results from all 3 cameras will be identical. For those who think the C100 is just a glorified DSLR please read this review and consider that the C100 is actually a stripped down C500. Read the full article here.

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